A new recording of two major Reger cycles, by a fast-emerging British piano talent. 'To fathom his all-powerful might, no human may accomplish' - this is the text, from a duet in Bach's Cantata BWV128, which Reger takes as the subject of his Bach Variations, and it may fairly be advanced that Reger accorded Bach a comparably divine status. At the age of just 31, Reger had by this stage assimilated not only Bachian counterpoint but its transformation through the ears and imaginations of Schumann and Brahms and others. He proceeds to treat the theme with astonishing freedom, testing the technique of the performer while reaching for the limits of the theme's musical possibilities over the course of 14 variations. The cycle concludes with a mighty fugue - or fugues, on separate subjects (of Reger's own devising, eventually welded with the Bach theme). In his booklet essay, Eden Walker remarks that the final bars are 'some of the most colossal and victorious of any in the entire piano repertoire.' By contrast, as a salutary demonstration of Reger's versatility, the Traume am Kamin present him at his most relaxed and intimate, and anyone who has found it hard to warm to Reger will surely find in this cycle a delightful entry-point to an often forbidding catalogue. 'Dreams by the Fireside' - Reger's knotty chromatic harmony still underpins the progress of these Romantic sketches, but now disguised by a touch of the 'lateness' that comes over many artists towards the end of their lives or careers, whether or not they were aware of it. This cycle was Reger's final piano cycle before his death in 1916, aged 41, and the mood of the cycle is perhaps also marked by a necessary escapism from the violent bloodshed around him. Eden Walker has become a specialist in the ultra-virtuoso end of Romantic piano writing.

• Genre: Classical
• Label: PIANO CLASSICS